The History of Rock and Roll Essay Example | Topics and Well Written Essays - 1000 words

The story of rock-and-roll and cast - Essay ExampleHowever, crossover music may also be a combination of two dominant styles that are each distinctive. Jerry Lee Lewis Great Balls of Fire went to the top 3 of the C&W, R&B, and Pop charts because it had distinctive elements of all three styles. Musical styles can sometimes be combined into fusion music, such as Rockabilly, that kneads a new style but is still considered a form of crossover.Crossover is important because it increases the size of the available sense of hearing. This is especially true when radio stations are categorized by genre. An audience will have a loyalty to a certain station and by getting airtime on both a rock station and a country station, the artist has threefold their exposure. This phenomena was critical to 45-RPM prove gross sales in the 1950s. Exposure to new music was through the radio and record sales were directly linked to airtime and radio station promotion. A crossover record could double the ir sales or as in the case of Great Balls of Fire, sales could triple. superman Presleys musical comedy go peaked in 1960 before he left for the Army. The previous 6 years had an enormous blow on rock and roll that his later career would never have been able to capture. When Elvis write with Sun Records in 1954, he brought the right ingredients to an environment that meshed perfectly with his style (Stuessy and Lipscomb 36). Rock and axial motion had been introduced to a rebellious post war youth in an affluent economy. The 45-RPM record had made music on demand accessible for every matchless and it was most popular with the younger audience. To this scene, Elvis brought his unique mix of musical talents. He had a broad range of style from Gospel to hard core Rock and Roll that held a wide appeal (Stuessy and Lipscomb 40). He could successfully blend these styles or use them independently. His physical appearing and performances were just rebellious enough to mirror James Dean and entrance the emerging TV viewers. Elvis was able to dominate the youth culture and exploit the new mediums of recording and television.After his release from the Army, Rock and Roll had taken new directions and had a life of its own. Music was getting more sophisticated and the audiences had generated expectations of a continually changing sound. His 1960s hits In the Ghetto and Suspicious Minds lacked the spark that had ignited the Rock revolution (Stuessy and Lipscomb 38). They were generic sounds that could have been performed by a dozen other artists. Though he would always remain one of the most popular figures in music, without the early years he would never have reached the success that he has today. A Good 1950s Rock and Roll SongThe Rock and Roll of the 1950s was a pulling away from the Big Band era and the crooners of the 1940s. It had to be counter to those sounds. Where Big Band had been exceedingly structured, Rock was required to have little if any structure. Thi s often resulted in songs that were simple and direct with some agrees and simple progressions. This was part of Rocks appeal. A good song needed a familiar structure that the audience could immediately relate to. Buddy Hollys Oh Boy was built on the I IV V chord progression that had permeated Country and Blues for decades (Stuessy and Lipscomb 30). The successful song would take these familiar progressions and escalate the tempo, timbre, and volume to bring out a good Rock and Roll